No Puny Masterpiece

Summer, 2020 / No. 45

Wish I had a better lawn back there.

This year. Lawn of the Year.

I gotta try something. The patches are bad.

Tony’s got a decent lawn.

It’s like a single perfect cemetery plot, his front lawn

—three by six—

no gravestone, just a lush five-foot tree

wearing an oversized Beatles wig,

looks like one of those dreadlocked dogs—

a puli mascot crowns Tony’s pristine lawn.

I carried ten rolls through the living room and kitchen

to get my ten by ten on the ground out back

and did it take?


In the yard behind the house

in the corner by the shed

where the grass has never grown, trying to find out why

I dug a spade into the soil and plunk

struck concrete six inches under.

A bunker no doubt

financed in part by a government grant in 1959—

a buried crypt from the fear of an earlier apocalypse

dug in the flip Beat spirit

of some groovy underground scene—

(still holding out for an invite to descend

into a Bucket of Blood coffee house

and read a poem in a turtleneck down there—)

Up above we live in hope and wonder

what size trunk of Heinz baked beans would it take

to survive in our backyard bunker from 1959 to today.

That’s a lot of finger snapping and a big equation.

But I digrass.


There’s no dispute: Tony’s lawn’s a puny masterpiece.

If only I knew how to say “puny frickin’ masterpiece”

in Portuguese. And: “Is April too early for a re-sod?”

How does a guy spend forty years—a career—at Toronto Works

and not learn English that isn’t cursing?

This year I monitor the situation.

I copy Tony—his lawn game.

He seeds. I seed.

He waters. I water.

Quit my job to spy on my neighbour all day for lawn tips.

Should really just learn Portuguese.